Beim Morawa entdeckt: Was genau hat es wohl zu bedeuten, daß das Buch über das männliche Gehirn größer ist as the female on that? Hmmm.
-----------------
4 8 15 16 23 42
Friday, October 15, 2010
Best Places To Live In Colorado/snowboarding
Aha
Beim Morawa entdeckt: Was genau hat es wohl zu bedeuten, daß das Buch über das männliche Gehirn größer ist as the female on that? Hmmm.
-----------------
4 8 15 16 23 42
Beim Morawa entdeckt: Was genau hat es wohl zu bedeuten, daß das Buch über das männliche Gehirn größer ist as the female on that? Hmmm.
-----------------
4 8 15 16 23 42
Monday, October 11, 2010
Volvo S60 Heater Core Replacement
Film Notes: Bright Young Things / Critical Care / Trixie / The Secret of Sherlock Holmes
BRIGHT YOUNG THINGS (2003) . The directorial debut of Stephen Fry. "Bright Young People" were in the thirties called in England, the young rich who are chased from party to party and her life spent in constant party state - happy's has mostly the British journalists, their gossip columns with the excesses and missteps could fill lush. Evelyn Waugh in his time wrote a hilarious novel about the Paris-Hilton-predecessor: Vile Bodies, and is based on the this film. Inside, an aspiring young writer, played by Stephen Campbell Moore, talk as gossip journalist on water, so he finally gets together enough financial security to make a marriage proposal to his girlfriend.
alone, the ensemble's worth watching: Emily Mortimer (which mainly determines the choice between financial security and true love for the former, because being poor is pretty boring), Michael Sheen (as permanently bright pretty boy, who when visiting an in the mental hospital consigned girlfriend also brings the same records for the next party), Jim Broadbent (as always drunken major who our Hero promises to invest their money safely on the race track), Peter O'Toole (as the father of Emily Mortimer, in which one is not sure if he plays hard-of-term or even confused - it provides the young hero a generous check from which he signs with "Charlie Chaplin"), and Dan Aykroyd (as around barking head of the tabloid, is sued by fictitious scandal report, but do not even be bothered, because at the same time its circulation to 100,000 copies ; rose) are all wonderful.
Stephen Fry (as is the historical document as well) not only the social satire a bead party - since infiltrate the entertainment hungry as a "team" of a racing driver in the pits, his ruin then race and race car and show his outrage back then, by telling him he was not meant to be a boring philistine - but also leaves the loneliness and emptiness under the constant celebrations space: In a great monologue lists the hero completely fatigued for minutes on all types and locations of parties, all the time have taken place. And the weird British humor and the subtle dialogue be fun: Since "sells" the young journalist Emily Mortimer from his rivals, so he can pay the hotel bill, and she calls it: "The most extraordinary thing . Just happened "
CRITICAL CARE (1997) by Sidney Lumet A unique mixture of satire on the health service and debate about euthanasia. A young doctor (James Spader) comes between two sisters, . debatable whether her father in the hospital to be kept artificially alive or not, it turns out that both concerned only with the inheritance that depends on the time of his death - now or in a month - either one or the other sister to the sole beneficiary of $ 10 million makes Catching a like to put the laughter in the throat -. especially when the senile head physician Dr. Butz appears (Albert Brooks), which can be drunk on the day with whiskey, has no short term memory anymore, and Spader stated that they of course keep the patients alive as long as paid health insurance. Conversely, he explained his plan, he may eventually die peacefully at home: He is not health insurance, so he will certainly never connected to any machine. is admitted as a young black man with head injury, Butz denied him medical treatment, as it turns out that the boy is not insured, "America is a service company, and for services must you pay. mows a gardener you do not subsidize the lawn if you did not pay for it. "In the legal department of a lawyer turned meanwhile the eyes of the idealistic doctor, which is drummed into to give never any medical assessment, because the hospital for it anyway could be sued. "I wish they would teach you more about litigation in medical school"
between the peaks and the satirical farce construction (Butz Spader can continually call to his office and asks him then there why he visited) dramatic sequences are not only at the ailing father, but also to another patient (Jeffrey Wright), on the dialysis machine hangs and asks to finally be allowed to die. And if we are talking about life and death, are also metaphysical elements allowed: Wright speaks with the devil (Wallace Shawn), who tells him that no one takes care of the dying, because there are bring with them any more, and Spader says at one point with a nun who might be an angel.
staged everything is very simple and reduced - simple setup, lack of exercise, and sets, some of which are kept inflated empty and sterile. But yes like Lumet focuses on the essence of a story: As the ranks CRITICAL CARE scenically one in 12 Angry EN and HIS LIFE IN MY GOD, the sad View of an inhuman system represents the next film, however NETWORK. What a bitter pill.
Trixie (2000) . "I have no idea how to make films for a mass audience," says director Alan Rudolph and Altman students, whose films resist like the conventions and expectations. As in Altman (the TRIXIE produced, so the film is touted on the DVD cover as "Robert Altman's Trixie!"), His films, funny, dramatic, remarkable play with genre structures and frustrate this also like most of the audience, that never quite sure what exactly they are actually there . See And, as with Altman also prevails at the Rudolph fans little consensus on what movies are terrible and what succeeded.
TRIXIE could be a thriller parody, because if the crime would act parodies: The main character works as a security in a small casino would explain a lot but rather as a detective puzzling cases. Then she gets to a local gigolo, and thus in a mysterious story about a Senator and a Sexaffäre. Unfortunately, Trixie is a little slow in the head and preferably expressed in malapropism, which lead sometimes in brilliant nonsense ("ago Do you know this woman well enough to be acquainted with?" Or "You . Gotta grave the bull by its tail and look it straight in the eye "), require but a lot of fun with language games twice, it suggests why Trixie is knit so simple - once she said that she would soon leave school, and another time, it points out how even a bowling ball has got to the head ("I woke up unconscious") - but you're never quite sure whether this curious woman with wide eyes as a serious tragic figure or as a parody joke understand is probably both
The ensemble cast is impressive.. Emily Watson, Dermot Mulroney, Nick Nolte, Brittany Murphy, Will Patton, Nathan Lane, Lesley Ann Warren, Stephen Lang. The staging, however, is quite loose, strange and wonderful moments alternate with overly long monologues and unfocused sequences. As a whole the film works just as the detective story as a frame for angular figures and ideas TRIXIE then makes it fun again. And it's only to see how a murder suspect Trixie reproachfully reminds us: ".. She's dead She will never be the same again"
THE MYSTERY OF THE HIDDEN TEMPLE (1985) . That's a classic eighties production: High Concept, great adventure for the young and young at heart, and a story the possibilities for many effects and acting values offers. YOUNG SHERLOCK HOLMES, the title plays with the idea that Holmes and Dr. Watson as a teenager met at school and will have solved their first case: A mysterious series of murders that leads them to an Egyptian sect that in human sacrifices to a secret temple and unpleasant contemporaries with a drug from the world creates that simulates the brain hallucinatory nightmares. The screenplay is by Chris Columbus, Barry Levinson has directed, produced and Steven Spielberg: It's clear that the adventure in the style of other Spielberg's show held at that time (and in England as well as corresponding YOUNG SHERLOCK HOLMES AND THE PYRAMID OF FEAR was sold).
atmosphere and facilities are wonderful, and the script plays nice with the Holmes / Watson-dynamics and the familiar elements of the detective story: Watson buys some point a pipe (in exchange for more information) because he looks distinguished and so, it gives but Holmes later, but probably because they better suit him. The big litter is unfortunately still not been: the detective story is a little too thin, making the Jazzy game is too short (both Holmes and the viewers), many of the effects sequences (mostly introduced by the drug) act more as a showcase (among other things, includes the film, the world's first entirely computer-generated figures: a knight, which is composed of the glass shards of a church window), and the great adventure sequences are indeed entertaining, but would have tolerated more focus on the characters very well. What the heck: YOUNG SHERLOCK HOLMES is a fun game with familiar material, a fun crossover and provides a nice complement to other Spielberg oeuvre of the eighties dar.
---------------- -
4 8 15 16 23 42
BRIGHT YOUNG THINGS (2003) . The directorial debut of Stephen Fry. "Bright Young People" were in the thirties called in England, the young rich who are chased from party to party and her life spent in constant party state - happy's has mostly the British journalists, their gossip columns with the excesses and missteps could fill lush. Evelyn Waugh in his time wrote a hilarious novel about the Paris-Hilton-predecessor: Vile Bodies, and is based on the this film. Inside, an aspiring young writer, played by Stephen Campbell Moore, talk as gossip journalist on water, so he finally gets together enough financial security to make a marriage proposal to his girlfriend.
alone, the ensemble's worth watching: Emily Mortimer (which mainly determines the choice between financial security and true love for the former, because being poor is pretty boring), Michael Sheen (as permanently bright pretty boy, who when visiting an in the mental hospital consigned girlfriend also brings the same records for the next party), Jim Broadbent (as always drunken major who our Hero promises to invest their money safely on the race track), Peter O'Toole (as the father of Emily Mortimer, in which one is not sure if he plays hard-of-term or even confused - it provides the young hero a generous check from which he signs with "Charlie Chaplin"), and Dan Aykroyd (as around barking head of the tabloid, is sued by fictitious scandal report, but do not even be bothered, because at the same time its circulation to 100,000 copies ; rose) are all wonderful.
Stephen Fry (as is the historical document as well) not only the social satire a bead party - since infiltrate the entertainment hungry as a "team" of a racing driver in the pits, his ruin then race and race car and show his outrage back then, by telling him he was not meant to be a boring philistine - but also leaves the loneliness and emptiness under the constant celebrations space: In a great monologue lists the hero completely fatigued for minutes on all types and locations of parties, all the time have taken place. And the weird British humor and the subtle dialogue be fun: Since "sells" the young journalist Emily Mortimer from his rivals, so he can pay the hotel bill, and she calls it: "The most extraordinary thing . Just happened "
CRITICAL CARE (1997) by Sidney Lumet A unique mixture of satire on the health service and debate about euthanasia. A young doctor (James Spader) comes between two sisters, . debatable whether her father in the hospital to be kept artificially alive or not, it turns out that both concerned only with the inheritance that depends on the time of his death - now or in a month - either one or the other sister to the sole beneficiary of $ 10 million makes Catching a like to put the laughter in the throat -. especially when the senile head physician Dr. Butz appears (Albert Brooks), which can be drunk on the day with whiskey, has no short term memory anymore, and Spader stated that they of course keep the patients alive as long as paid health insurance. Conversely, he explained his plan, he may eventually die peacefully at home: He is not health insurance, so he will certainly never connected to any machine. is admitted as a young black man with head injury, Butz denied him medical treatment, as it turns out that the boy is not insured, "America is a service company, and for services must you pay. mows a gardener you do not subsidize the lawn if you did not pay for it. "In the legal department of a lawyer turned meanwhile the eyes of the idealistic doctor, which is drummed into to give never any medical assessment, because the hospital for it anyway could be sued. "I wish they would teach you more about litigation in medical school"
between the peaks and the satirical farce construction (Butz Spader can continually call to his office and asks him then there why he visited) dramatic sequences are not only at the ailing father, but also to another patient (Jeffrey Wright), on the dialysis machine hangs and asks to finally be allowed to die. And if we are talking about life and death, are also metaphysical elements allowed: Wright speaks with the devil (Wallace Shawn), who tells him that no one takes care of the dying, because there are bring with them any more, and Spader says at one point with a nun who might be an angel.
staged everything is very simple and reduced - simple setup, lack of exercise, and sets, some of which are kept inflated empty and sterile. But yes like Lumet focuses on the essence of a story: As the ranks CRITICAL CARE scenically one in 12 Angry EN and HIS LIFE IN MY GOD, the sad View of an inhuman system represents the next film, however NETWORK. What a bitter pill.
Trixie (2000) . "I have no idea how to make films for a mass audience," says director Alan Rudolph and Altman students, whose films resist like the conventions and expectations. As in Altman (the TRIXIE produced, so the film is touted on the DVD cover as "Robert Altman's Trixie!"), His films, funny, dramatic, remarkable play with genre structures and frustrate this also like most of the audience, that never quite sure what exactly they are actually there . See And, as with Altman also prevails at the Rudolph fans little consensus on what movies are terrible and what succeeded.
TRIXIE could be a thriller parody, because if the crime would act parodies: The main character works as a security in a small casino would explain a lot but rather as a detective puzzling cases. Then she gets to a local gigolo, and thus in a mysterious story about a Senator and a Sexaffäre. Unfortunately, Trixie is a little slow in the head and preferably expressed in malapropism, which lead sometimes in brilliant nonsense ("ago Do you know this woman well enough to be acquainted with?" Or "You . Gotta grave the bull by its tail and look it straight in the eye "), require but a lot of fun with language games twice, it suggests why Trixie is knit so simple - once she said that she would soon leave school, and another time, it points out how even a bowling ball has got to the head ("I woke up unconscious") - but you're never quite sure whether this curious woman with wide eyes as a serious tragic figure or as a parody joke understand is probably both
The ensemble cast is impressive.. Emily Watson, Dermot Mulroney, Nick Nolte, Brittany Murphy, Will Patton, Nathan Lane, Lesley Ann Warren, Stephen Lang. The staging, however, is quite loose, strange and wonderful moments alternate with overly long monologues and unfocused sequences. As a whole the film works just as the detective story as a frame for angular figures and ideas TRIXIE then makes it fun again. And it's only to see how a murder suspect Trixie reproachfully reminds us: ".. She's dead She will never be the same again"
THE MYSTERY OF THE HIDDEN TEMPLE (1985) . That's a classic eighties production: High Concept, great adventure for the young and young at heart, and a story the possibilities for many effects and acting values offers. YOUNG SHERLOCK HOLMES, the title plays with the idea that Holmes and Dr. Watson as a teenager met at school and will have solved their first case: A mysterious series of murders that leads them to an Egyptian sect that in human sacrifices to a secret temple and unpleasant contemporaries with a drug from the world creates that simulates the brain hallucinatory nightmares. The screenplay is by Chris Columbus, Barry Levinson has directed, produced and Steven Spielberg: It's clear that the adventure in the style of other Spielberg's show held at that time (and in England as well as corresponding YOUNG SHERLOCK HOLMES AND THE PYRAMID OF FEAR was sold).
atmosphere and facilities are wonderful, and the script plays nice with the Holmes / Watson-dynamics and the familiar elements of the detective story: Watson buys some point a pipe (in exchange for more information) because he looks distinguished and so, it gives but Holmes later, but probably because they better suit him. The big litter is unfortunately still not been: the detective story is a little too thin, making the Jazzy game is too short (both Holmes and the viewers), many of the effects sequences (mostly introduced by the drug) act more as a showcase (among other things, includes the film, the world's first entirely computer-generated figures: a knight, which is composed of the glass shards of a church window), and the great adventure sequences are indeed entertaining, but would have tolerated more focus on the characters very well. What the heck: YOUNG SHERLOCK HOLMES is a fun game with familiar material, a fun crossover and provides a nice complement to other Spielberg oeuvre of the eighties dar.
---------------- -
4 8 15 16 23 42
Sunday, October 3, 2010
Princess Cruises Audition
Schoolgirl Report, Part 7 - But heart must be there (1974) Trailer
Also the report is the seventh report provided by a guest author: Chris Black of Betty's Apartment , the vorknöpfte once been part 5 of Steeger retrospective ( ME, A GROUPIE ), reviewed in the following paragraphs of Part VII of the continuous education series from producer Wolf C. Hartwig - fleet 6 months after Part 6 in German cinemas!
One might well ask what it is about the seventh part of a film series, which has been Part 1 in dishonest premise of questionable morals, and was made partly disgusting views, nor should be saying. Especially since they indulge Part 2 stubborn repetition in this structure. Well, on the plus side recorded SCHOOL GIRL REPORT PART 7 - BUT THE HEART MUST BE PART beautiful, sappy, silly comedy in the person of Rinaldo Talamonti and - wait for it - for almost a kind of meta-level. But for those who start perhaps even hopeful in this text, one thing first: Over the heart, as promised in the title, we can, this film once again nothing to tell.
The very first sentence opens a parenthesis: "Six of the school girls reports have gone around the world, the world has become so morally Probably not, but honest.?." Comes because, while we observe schoolgirl Babs in how she secretly follows a young man in an old building and the stairwell in an apartment. The young man turns out to be fast as her brother Albert and the apartment as a private brothel that the good Albert has raised a few girls from the school (that make the likes of Yes, and above all the fun of it). It is, of course, frequented only by men of middle age, and one of them confused Babs also just with the new girl, so they can fly up first outraged and then principal of honesty (!) The stall. The protagonists end up - honest Babs, brother Albert, four sinful girl the fine customers and various legal fees and office staff - with the court, where they can tell all their Episödchen and designed so that our time frame for action.
is much more fun then have the story of "Karla First. "The good Karla is a sin of the babes from Albert's brothel, where she works properly only to finally reconcile the practice of what it conscientiously studied theory. Karla is indeed very young and well built, with but unfortunately far too large glasses and is therefore doomed to know only from books on sexuality. After careful study she decided it was time to go in medias res, and chose it from a friend of her father. He's a bit older (like all men in SCHOOL GIRL REPORT: fall in love with a peer and sleep with him to do, should be at the then today's youth not have been the trend), but has much experience. After all, he is an international businessman, as the job brings this experience with them. A German quasi Don Draper. So while he gives advice and amazed gutväterlich passed over Karla's already acquired skills, we Karla, all the empirical scientist, from the off with biological facts from the textbook through the sexual act. And because it has made it so much fun, she signs up with Albert. Thus, Mr. Hartwig is well before enlightenment.
Let the implied meta-level. Somewhere in the movie, an old woman sitting around as a witness in court and tells the story of the teacher Baldwin. It is a story from the Bavarian area, as their dialect betrays. The teacher Baldwin is Prussian and therefore squares and comes as a new teacher in a Bavarian village. In order to bring the teacher closer to the local practice, the friendly students begin to undress at the behest of students in the classroom. Because "there's something in custody in Preißer net, right? Oba san mia in Bavaria Thurs net aso." Baldwin wants the overstrained for morality and order, ensure that he does not succeed, after which he takes flight in slow motion. This is evaporated the Schoolgirl Report and to the point. Meat inspection for philistines.
Before we slide now completely in overbearing Süffisanz was, finally, a detail mentioned that one almost overlooks. be admonished and reprimanded for her misconduct not the girl from Albert's brothel, but the men who hinbegeben as customers there and the whole movie about "the bitch" have complained. Albert is punished even just for pimping. This shifts the perception and attitude of the Schoolgirl Report, but then a little compared to the earlier parts, where the men were always helpless victims, tricked by the young things, tricked, blackmailed and seduced were. That the company, its Values and views in the period when the reports are created, has changed, is indisputable. How far the movies have help, I can not judge, but I dare to doubt it (especially because they represented the new moral codes, despite their openness to put some day).
any case, Babs must leave the court and is not just down the road, but also how all of today's youth, "in a golden future." Or so.
Schoolgirl Report, 7 Part - But the heart must go after them (Germany 1974)
Director: Ernst Hofbauer
writer: Günther Heller
Camera: Klaus Werner
music by Gert Wilden, KA Dilz
Starring: Puppa Armbruster, Elke Deuringer, Margot Mahler, Rinaldo Talamonti
Length: 89 minutes (uncut), 79 minutes (cut)
Certificate: Unaudited (uncut) 16 (cut)
Note: available at Amazon FSK16-making is to cut about 10 minutes (the given run length of only 71 minutes a mistake). The unaudited DVD, which can be found in the unaudited box (see OFDB shop) is uncut.
The poster has been provided courtesy of Andreas and his shop Schiefler Vintage Movie Posters provided.
-----------------
4 8 15 16 23 42
Also the report is the seventh report provided by a guest author: Chris Black of Betty's Apartment , the vorknöpfte once been part 5 of Steeger retrospective ( ME, A GROUPIE ), reviewed in the following paragraphs of Part VII of the continuous education series from producer Wolf C. Hartwig - fleet 6 months after Part 6 in German cinemas!
One might well ask what it is about the seventh part of a film series, which has been Part 1 in dishonest premise of questionable morals, and was made partly disgusting views, nor should be saying. Especially since they indulge Part 2 stubborn repetition in this structure. Well, on the plus side recorded SCHOOL GIRL REPORT PART 7 - BUT THE HEART MUST BE PART beautiful, sappy, silly comedy in the person of Rinaldo Talamonti and - wait for it - for almost a kind of meta-level. But for those who start perhaps even hopeful in this text, one thing first: Over the heart, as promised in the title, we can, this film once again nothing to tell.
The very first sentence opens a parenthesis: "Six of the school girls reports have gone around the world, the world has become so morally Probably not, but honest.?." Comes because, while we observe schoolgirl Babs in how she secretly follows a young man in an old building and the stairwell in an apartment. The young man turns out to be fast as her brother Albert and the apartment as a private brothel that the good Albert has raised a few girls from the school (that make the likes of Yes, and above all the fun of it). It is, of course, frequented only by men of middle age, and one of them confused Babs also just with the new girl, so they can fly up first outraged and then principal of honesty (!) The stall. The protagonists end up - honest Babs, brother Albert, four sinful girl the fine customers and various legal fees and office staff - with the court, where they can tell all their Episödchen and designed so that our time frame for action.
Thus, while reporting the girls in the courtroom of curiosity, fun, free will and, above all on the new youth to be and that it all just not so, and blablabla, indignant the corridor outside the door of the Elternestablishment the states. In Ice Cream, for example. What happens when it all! Rinaldo Talamonti, here called Carlo Tontonelli served ice. And as he was always three girls can look under the rock, they have to pay anything. It is haggled a bit and teased and finally booked for a year of free ice cream for a hotel room. In defense of Carlo must be said that his wife is actually a pair of pliers, while the girls act awkward technically fluent in this situation: Given Carlos immense distress would have been possible than a year of free ice cream. Maybe we are supposed to learn this from this episode - Girl, you do not give her so cheap. But the three have also yes and do it all now anyway have fun, because today's youth and such, and Carlo is already full of anticipation, he has his "cement noodle" brought, as he proudly proclaims on entering the hotel room. Unfortunately, the cement is mixed poorly and Ulla still not quite take off, as Carlo is already done, so come and Anja Gerlinde no longer train together and, instead, and naked in the bathroom have to lift one hand and a smoke. The disappointed girls decide then - and I can confirm that young people can think like nonsense when they are bored - Carlo to pinch the clothes, which results in a comedy show on an unprecedented scale to be: Rinaldo Talamonti teems naked through a luxurious hotel behind three naked girls (which provided cover in the hotel restaurant simply sit at a table and order) and falls on all objects that appear in the image. To make matters worse is added even indignant Carlos pincers and, oh, ye can not imagine.
would be here the film really under way, however, must come the moral cudgel. The serious side of life must not be ignored. We need to learn. Monika on sexy for example. She stops the car and is driven by an elderly man, whom she then offered equally little subtle. She lures him into a shed, where he is then brutally beaten by Monica's Gang and robbed. Fittingly, has a brothel client in court before the episode about "those little bitch today" echauffiert. The gang flees, but is unfortunately seen by the young Father Schumann, who had just his hobby of nature photography, indulge. A plan to ensure that it shows the evil is carefully worked out hastily. Monica is dressed him confess everything easily, and because the priest is bound to the confessional - do you understand already. But somehow it flies thing but on the troops and is arrested. The commissioner and the priest give a short homily and change words pregnant with meaning and we can check off this episode as a silly nuisance.
is much more fun then have the story of "Karla First. "The good Karla is a sin of the babes from Albert's brothel, where she works properly only to finally reconcile the practice of what it conscientiously studied theory. Karla is indeed very young and well built, with but unfortunately far too large glasses and is therefore doomed to know only from books on sexuality. After careful study she decided it was time to go in medias res, and chose it from a friend of her father. He's a bit older (like all men in SCHOOL GIRL REPORT: fall in love with a peer and sleep with him to do, should be at the then today's youth not have been the trend), but has much experience. After all, he is an international businessman, as the job brings this experience with them. A German quasi Don Draper. So while he gives advice and amazed gutväterlich passed over Karla's already acquired skills, we Karla, all the empirical scientist, from the off with biological facts from the textbook through the sexual act. And because it has made it so much fun, she signs up with Albert. Thus, Mr. Hartwig is well before enlightenment.
The film is not out yet. The lawyers in the courtroom conduct a policy debate, stating that the youth is not in a pot may take, but one must look at the stories always individual. The defender illustrated with an example - educationally proper procedure at this point - what he means. The good Gabi Otterman is madly in love with her teacher Prof. Steinbeck. You can hardly think and follow the lessons, because they always indulges in sexual fantasies of him. She is even brave enough to confess to him that, but she rejects Professor Steinbeck polite and correct. Then he begins an affair with Gabi's mother. Gabi is upset and thinks for a moment, to submit to their tutor to the neck, but her heart belongs to the professor. So she concocts a strategy, and I can confirm that young People can be very resourceful when they want something important. She gets a wig to make it look like her mother, and expects their teachers already naked in bed. The light but this time he will be out, they breathe more and release it can go. It takes a while until the dizziness flies up, and more specifically to Gabi's mother comes and disturbs, but because Gabi has already got what they wanted. This closes the opening with the initial sentence bracket, because the prosecutor wants to know the story: "What exactly do they want me to say"
Let the implied meta-level. Somewhere in the movie, an old woman sitting around as a witness in court and tells the story of the teacher Baldwin. It is a story from the Bavarian area, as their dialect betrays. The teacher Baldwin is Prussian and therefore squares and comes as a new teacher in a Bavarian village. In order to bring the teacher closer to the local practice, the friendly students begin to undress at the behest of students in the classroom. Because "there's something in custody in Preißer net, right? Oba san mia in Bavaria Thurs net aso." Baldwin wants the overstrained for morality and order, ensure that he does not succeed, after which he takes flight in slow motion. This is evaporated the Schoolgirl Report and to the point. Meat inspection for philistines.
Before we slide now completely in overbearing Süffisanz was, finally, a detail mentioned that one almost overlooks. be admonished and reprimanded for her misconduct not the girl from Albert's brothel, but the men who hinbegeben as customers there and the whole movie about "the bitch" have complained. Albert is punished even just for pimping. This shifts the perception and attitude of the Schoolgirl Report, but then a little compared to the earlier parts, where the men were always helpless victims, tricked by the young things, tricked, blackmailed and seduced were. That the company, its Values and views in the period when the reports are created, has changed, is indisputable. How far the movies have help, I can not judge, but I dare to doubt it (especially because they represented the new moral codes, despite their openness to put some day).
any case, Babs must leave the court and is not just down the road, but also how all of today's youth, "in a golden future." Or so.
Schoolgirl Report, 7 Part - But the heart must go after them (Germany 1974)
Director: Ernst Hofbauer
writer: Günther Heller
Camera: Klaus Werner
music by Gert Wilden, KA Dilz
Starring: Puppa Armbruster, Elke Deuringer, Margot Mahler, Rinaldo Talamonti
Length: 89 minutes (uncut), 79 minutes (cut)
Certificate: Unaudited (uncut) 16 (cut)
Note: available at Amazon FSK16-making is to cut about 10 minutes (the given run length of only 71 minutes a mistake). The unaudited DVD, which can be found in the unaudited box (see OFDB shop) is uncut.
The poster has been provided courtesy of Andreas and his shop Schiefler Vintage Movie Posters provided.
-----------------
4 8 15 16 23 42
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